Andrealphus: The Peacock Demon Who Twists Minds and Bodies

Andrealphus is a demon found in traditional demonology and is known as the 65th spirit in the Ars Goetia. He is ranked as a Great Marquis in the infernal hierarchy. Andrealphus is mainly linked to teaching scientific subjects and changing people into bird-like forms.

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Key Takeaways

Attribute	Details
Names	Andrealphus, Andreafus
Title	Great Marquis
Gender	Male
Role	Deceptive educator, transmuter of human souls, master of spatial manipulation
Rank	Marquis
Hierarchy	Serves under the higher infernal powers of the Goetia; commands subordinate spirits
Legions	30 Legions of Spirits
Powers	Forceful instruction of geometry and astronomy, transmuting humans into the likeness of a bird, enabling evasion through flight
Associated Figures	Solomon (as the binder), other Goetic Marquises (such as Marchosias)
Weaknesses	Divine names of God, specific seals or lamens, constraints of the Solomonic brass vessel
Opposing Angel/Saint	Damabiah
Pantheon	Christian (Occult/Goetic tradition)
Primary Sources	Ars Goetia (Lesser Key of Solomon), Pseudomonarchia Daemonum, Dictionnaire Infernal

Who or What is Andrealphus?

Andrealphus is an entity categorized as a Great Marquis of Hell. Within the framework of Solomonic magic and Christian demonology, he is recognized as the sixty-fifth spirit that King Solomon allegedly bound in a brass vessel. He operates as a high-ranking official in the infernal realm, commanding thirty legions of lesser spirits.

His nature is characterized by his expertise in the mathematical and celestial sciences. Unlike many demons associated with direct physical destruction, Andrealphus focuses on the intellectual corruption and physical alteration of the practitioner.

He provides exhaustive knowledge of measurement and the movements of the stars, but only within an infernal compact. His ability to transform a human into a bird is a prominent feature, often seen as a way to facilitate escape or mock the human form.

“Andrealphus” Meaning

The etymology of the name Andrealphus is not definitively tied to a single linguistic root, but researchers often look to Greek and Latin foundations common in late medieval and Renaissance grimoires. The prefix Andro- or Andre- is derived from the Greek aner (genitive andros), meaning man. This is frequently used in demonological terminology to signify an entity that has a human-like or “man-like” aspect, despite any monstrous features.

The meaning of the second part, -alphus, is less clear. Some scholars think it might come from the Greek word alpha, which can mean a leader or someone who is first. In this case, it could also be a changed version of the name Andreafus, as found in Johann Weyer’s Pseudomonarchia Daemonum.

Earlier Latin manuscripts use the name “Andreafus,” but “Andrealphus” became the common English spelling when the Lesser Key of Solomon was translated in the 17th century. This change shows how the name moved from scholarly Latin lists to popular English books used by occultists.

How to Pronounce “Andrealphus” in English

The name Andrealphus is typically pronounced in English as an-dree-AL-fus. The stress is placed on the third syllable, “AL.” The first syllable rhymes with “pan,” the second is a long “e” sound, and the final syllable uses a soft “u” as in “bus.”

What Does Andrealphus Look Like?

Andrealphus is said to appear in two main forms. At first, he shows up as a peacock, often with a lot of noise or a “great clamor.” The peacock stands for pride and “many eyes,” which represent his wide knowledge of the stars and the world.

After being summoned, Andrealphus can be told to take on a human shape. In this form, he appears human but still has a deceptive quality that helps him teach his sciences. Even though he appears human, his bird-like nature is important, shown by his ability to turn others into birds. Unlike many demons, he is not described with horns or hooves, but instead with features of a peacock, showing his place in the infernal ranks.

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Origins

The story of Andrealphus comes from the growth of Western demonology during the late Middle Ages and the Renaissance.

Pseudomonarchia Daemonum

The earliest verifiable record of this entity appears in Johann Weyer’s Pseudomonarchia Daemonum (1577). Weyer listed him as Andreafus, a great marquis who appears as a peacock and teaches geometry and astronomy. This text served as a foundational source for later Goetic classifications.

The Lemegeton and the Ars Goetia

In the 17th century, the Lemegeton (The Lesser Key of Solomon) integrated Weyer’s work into a more structured hierarchy. Here, he was assigned the number 65 and the title of Marquis. This era solidified his attributes, such as command over thirty legions and the power of bird transformation, which were missing or less emphasized in earlier texts.

Dictionnaire Infernal

In 1818, Jacques Collin de Plancy added Andrealphus to his Dictionnaire Infernal. This book introduced the peacock-demon to more people, kept details from earlier texts, and helped shape the way he is pictured today.

Was Andrealphus Ever Mentioned in the Bible?

Andrealphus is not mentioned in the Bible. He is an entity exclusive to the grimoire tradition and post-biblical Christian demonology. He does not appear in the Old or New Testaments or the Apocrypha.

Andrealphus in Grimoires and Other Texts

Andrealphus is a staple creature in the Solomonic tradition of magic. He is consistently listed as a high-ranking spirit in catalogs of Hell.

Source	Quote
Ars Goetia	The Sixty-fifth Spirit is Andrealphus. He is a Mighty Marquis, appearing at first in the form of a Peacock, with great Noises. But after a time he putteth on Human shape. He can teach Geometry perfectly. He maketh Men very subtle therein; and in all Things pertaining unto Mensuration or Astronomy. He can transform a Man into the Likeness of a Bird.
Pseudomonarchia Daemonum	Andreafus marchio est magnus, apparens in specie pavonis: edit sonos magnos. In humana veró forma docet geometriam perfecté, mensuram omniaque ad astronomiam spectantia. Homines reddit subtiles argutos: dat insuper homini speciem avis.
Dictionnaire Infernal	Andrealphus, marquis de l’empire infernal; il paraît sous la figure d’un paon à la voix éclatante. Quand il se montre sous la figure humaine, on peut l’interroger sur la géométrie et l’astronomie. Il rend l’homme fort subtil dans ces sciences, et lui donne le pouvoir de prendre la figure d’un oiseau.

Powers and Abilities

Andrealphus has specialized intellectual and transformative powers. His primary function is the absolute instruction of geometry and astronomy. He does not merely provide information; he makes the student “subtle” or “arguable,” meaning he heightens the practitioner’s ability to manipulate mathematical logic and spatial reasoning for potentially deceptive or prideful ends.

The second core ability is the transmutation of the human form. Andrealphus can alter the physical essence of a human being so that they appear and function as a bird. This is not a mere illusion but a perceived physical shift.

This power allows the individual to bypass physical barriers through flight, removing them from standard human experience and placing them under a “demonic” physical law. All his abilities focus on mastery of the physical and celestial dimensions through a dark, mathematical lens.

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Andrealphus Myths, Legends, and Stories

Andrealphus does not appear in narrative folklore or parables in the way that major figures like Lucifer or Asmodeus do. His “stories” are confined to the technical accounts found in grimoires.

The Listing of the Sixty-Fifth Spirit in the Lesser Key of Solomon

According to the accounts attributed to King Solomon, Andrealphus was one of the many spirits summoned and later bound by the King to assist in the building of the Temple or to provide forbidden knowledge. The narrative follows the standard sequence of Solomonic conjuration: the spirit appears in a terrifying or noisy form (the peacock) to intimidate the summoner.

When the Secret Seal is presented, the spirit is forced into human shape to serve the magician. The “story” of Andrealphus is one of repeated subjugation by divine authority, where his knowledge of the stars and ability to turn men into birds are treated as assets to be extracted by the practitioner.

Andrealphus vs Other Christian Demons

Demon Name	Associated Sin/Temptation	Rank/Origin	Key Traits/Powers
Asmodeus	Lust	King (Ars Goetia)	Breaks marriages, teaches arithmetic
Belial	Lawlessness	King (Dead Sea Scrolls)	Deception, grants high titles
Paimon	Pride	King (Ars Goetia)	Teaches all arts and sciences
Marchosias	Sloth/False Hope	Marquis (Ars Goetia)	Fights bravely, spits fire
Astaroth	Sloth/Vanity	Grand Duke (Ars Goetia)	Knows all secrets of the past/future
Leraje	Conflict/Envy	Marquis (Ars Goetia)	Causes gangrenous wounds from arrows
Naberius	Loss of Honor	Marquis (Ars Goetia)	Restores lost dignities/prestige
Glasya-Labolas	Murder	President/Earl (Ars Goetia)	Teaches arts, causes bloodshed
Foras	Avarice	President (Ars Goetia)	Makes men invisible and long-lived
Furcas	Cruelty	Knight (Ars Goetia)	Teaches rhetoric and philosophy
Buer	Gluttony (of mind)	President (Ars Goetia)	Heals distempers, teaches logic
Ronove	Knowledge of tongues	Marquis/Earl (Ars Goetia)	Teaches languages, grants favors
Stolas	Corruption of Nature	Prince (Ars Goetia)	Teaches astronomy and herbs
Phenex	False Poetry	Marquis (Ars Goetia)	Sings sweet notes, teaches sciences

Rank in the Hierarchy of Hell

Andrealphus has the rank of Marquis, placing him in the middle-upper tier of the Goetic hierarchy. In the infernal structure, Marquises are typically associated with the moon and tasked with specific administrative and educational duties. Andrealphus commands 30 legions, a significant force that suggests he has a stable and influential position in the infernal bureaucracy.

His relationship with other demons is primarily functional. He shares a teaching role with spirits like Stolas (who also teaches astronomy) and Paimon (who teaches all sciences). As a Marquis, he is subordinate to the Kings of Hell, such as Asmodeus or Bael.

His interactions follow the strict protocol of the infernal court, where he acts as an expert in measurement and celestial calculation, possibly serving as a navigator or architect for the infernal realms when called by his superiors.

Mystical Correspondences

Attribute	Details
Planet	Moon
Zodiac Sign	Capricorn/Aquarius
Element	Air
Direction	East
Color	Violet/Silver
Number	65
Crystal/Mineral	Amethyst/Moonstone
Metal	Silver
Herb/Plant	Lotus/Mandrake
Animal	Peacock

The cosmic ties of Andrealphus anchor his influence in the night sky, with the Moon as his ruling celestial body, reflecting his rank as Marquis. This lunar energy fuels his ability to transform shapes and govern subtle sciences, as noted in occult texts where rituals during specific lunar phases maximize his presence. His association with the Air element lets him preside over flight and the abstract reaches of mathematics.

This framework ensures his influence is felt in the intellectual and ethereal planes. The peacock, his primary animal correspondence, signifies the pride and “all-seeing” nature of his astronomical knowledge. The metal Silver is used to create his sigil, serving as a conductor for his lunar-aligned power.

Andrealphus’ Sigil

The sigil of Andrealphus is a complex mathematical and geometric design found in the Ars Goetia. It is considered the unique signature of the demon.

Historically, the sigil was essential because it was believed to represent the demon’s true essence. It was typically engraved on a silver lamen, a metal plate worn over the chest, to protect the practitioner and force the entity to appear. Without the sigil, the demon could refuse to manifest or provide false information.

Summoning and Rituals

Historically, the summoning of Andrealphus was performed by ceremonial magicians following the strict instructions of the Lesser Key of Solomon. These rituals were complex and required specific tools, such as the magic circle, the brass vessel, and the silver lamen. The purpose of these invocations was typically to gain immediate mastery over geometry or astronomy without the need for years of study.

These rituals were usually done during times linked to the Moon, matching his rank. Practitioners, from medieval scholars to Renaissance occultists, believed that using certain spells and holy names would enable them to control Andrealphus and prevent him from using his powers against them.

The Church often saw these acts as ‘black magic,’ and people who did them risked being called warlocks or heretics for seeking knowledge from demons instead of from God.

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Frequently Asked Questions